His work for Marvel with Paul Jenkins – The Inhumans and The Sentry – were incredibly well reviewed titles, giving Marvel their first Eisner win for years. His work for Stephen King’s Dark Tower saw him become the most successful Marvel artist in trade paperback and hardcover form.
Then, last year, he basically disappeared from Marvel — quietly and without any fuss. All we saw were the illustrations for Stephen King’s new Dark Tower novel. And now we know what he’s been working on all this time.
Lee is a great artist and I'm looking forward to seeing his work in The Wind Through the Keyhole.